Russian revolutionary graphic language of the 1920s: red, black, and off-white only, heavy all-caps grotesque type set on 30–45 degree diagonals, hard geometric shapes, and photomontage. Every composition is a shout — dynamic, angular, and built for maximum agitation.
Primary actionA composition organized around one aggressive diagonal axis — a red wedge or rotated headline bar driving through the layout at 30–45 degrees, à la El Lissitzky's 'Beat the Whites with the Red Wedge'.