The 1919–1933 German school's visual language: primary red, yellow, and blue with black and white, elemental circles, squares, and triangles, geometric sans-serif type, and asymmetric compositions energized by 45-degree diagonals. Every element earns its place — ornament is banished, function is the aesthetic.
Primary actionElemental geometry as layout: a red circle, yellow triangle, and blue square deployed as structural composition devices, with one bold 45-degree diagonal bar cutting across the arrangement.